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Presenter(s)

Presenter

Photo - Chee Meng Low.jpeg
Damrih Banawitayakit_Photo_02.jpeg
Leonard Tan_Photo.jpg
Benjamin Yeo_Photo.jpg

Chee Meng Low

Damrih Banawitayakit

Leonard Tan

Benjamin Yeo

Bio(s)

Chee Meng Low

Low Chee Meng is an artist-educator for Yamaha Music Ltd. and enjoys a diverse career as a conductor, educator, administrator, and performing on saxophone as an orchestral, chamber, and solo musician. Chee Meng was the host for the 2019 Region 9 North American Saxophone Alliance regional conference, a member of the International Committee, World Saxophone Congress (2006-2009) and the Asia Saxophone Conference (2019 – present), regional representative of the Asia Pacific Band Directors' Association (2007-2010), and current member of the North American Saxophone Alliance. Recent creative activities included as concerto performance with the Red Deer Symphony for their 2022/23 season and at the 2022 North American Saxophone Alliance Region 9 conference which he shared the stage as soloist with esteemed saxophone professor Claude Delangle from the Paris Conservatoire.

Damrih Banawitayakit
Damrih had served as a full-time lecturer at the Faculty of Music, Silpakorn University, and Presidents of Feroci Philharmonic Society. Damrih is also active as a composer, music arranger and conductor. The conducting performances are included musical ensembles such as New Siam Wind Orchestra, Metropole Stage Orchestra, Bangkok Symphony Orchestra and Dreambox Stage Orchestra@MTheatre etc. He also appears as a guest conductor for the musical theatre: Koogum the musical(Dreambox Production) in 2005, incidental music for the Chinese melodrama The Story of Butterfly Lovers in 2006, Man of La Mancha at Ratchadalai Theatre(Co-production of Theatre 28 and Scenario) in June 2008, Kurt Weil.

Leonard Tan

Singaporean musician Leonard Tan is a prolific conductor with a strong presence in the Singapore arts scene. He has conducted numerous leading ensembles, including the Singapore Symphony Orchestra, Singapore National Youth Orchestra (Principal Conductor), Ensemble de la Belle Musique (Principal Conductor), Philharmonic Wind Orchestra (Music Director), and Indiana University Orchestras.

 

He earned his doctoral degree from the Indiana University Jacobs School of Music, where he studied orchestral conducting with David Effron, Arthur Fagen, and Murray Sidlin. Additional conducting studies were with Leif Segerstam and Alexander Polischuk in Russia, where he worked with the St. Petersburg Chamber Philharmonic, and with Johannes Schlaefli, where he worked with Academic Orchestra Zurich. He is currently an Associate Professor of Music at the National Institute of Education, Nanyang Technological University, Singapore.

Benjamin Yeo
Benjamin Yeo is a well sought-after composer-conductor, Benjamin largely writes commissioned works and remains an active clinician and conductor with both local and overseas invitations. He is a member of the Composers and Authors Society of Singapore (COMPASS). Benjamin Yeo is a Singaporean composer-conductor who is internationally recognized for his original wind band works. His works have since been performed at both national and international platforms such as the locally-held Singapore Youth Festival Arts Presentation for Brass/Concert Bands, the Japan Band Clinic in Hamamatsu and the prestigious Midwest Clinic, an annual International Band and Orchestra Conference held in Chicago, Illinois. He has also been invited to serve as an adjudicator for events such as the Junior Band Festival in Singapore, the All Chinese Wind Band Competition in Taiwan and The Sichuan Wind Orchestra Competition in China.

태국, 말레이시아, 싱가포르 윈드 밴드 운동의 다양성, 포용성 및 공정성에 대한 토론: 동남아시아의 세 나라 간 윈드 관련 앙상블 강화 방법과 직면한 어려움들에 대한 패널 토의.

동남아시아에 위치한 이 세 나라는 주로 테라바다(Theravada) 불교를 믿는 태국, 인구의 3분의 2가 이슬람교를 믿는 말레이시아, 그리고 현대적인 도시 국가인 싱가포르로 다양한 생활 방식과 언어가 공존하는 축복받은 나라입니다. 태국과 말레이시아 사이의 육지와 말레이시아와 싱가포르 사이의 좁은 해협으로 연결된 이 세 나라는 지난 수십 년 동안 윈드 밴드 프로그램들이 성장해 왔지만, 정부, 음악계, 일반 대중의 접근 방식은 서로 비슷하면서도 달랐습니다. 이 지역의 많은 사람들이 영어를 사용하지만, 언어 장벽은 세 나라 간에 오고 가는 정보에 큰 영향을 미쳤고 지금도 여전히 영향을 미치고 있습니다. 이에 따라 학교 시스템, 고등 교육 기관 및 지역사회 수준에서 윈드 밴드에 대해 매우 다양한 접근 방식이 생겨났습니다. 이 세 나라의 다양한 윈드 밴드 음악계의 움직임을 지속적으로 성장시키기 위해서는 심도 있는 대화와 연구, 그리고 이를 널리 홍보하는 방안이 필요합니다.

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