Conference

Look like their SOUND: Two-step process to incorporating oral articulation into physical gesture, often lost in translation.

Repertoire in the Pocket

The Wind Band Sound - A Definitive Guide to Ensemble Intonation

Squirrel! Being Present In A World That Doesn't Want Us To Be

Redefining the Concert Experience: Creating dynamic concerts for our audiences and students.

The Korean wind instrument - PIRI

Now it’s starting to sound like music: rehearsal techniques for a high school classroom

Significant Wind Ensemble Repertoire by Underrepresented Composers

Hiding in Plain Sight: "Re-composing" and "De-composing" to Teach the Inner Workings of Repertoire to Students and Audiences

Thinking about the sound mechanism of musical instruments and the three-dimensionality of ensembles.

Contemporary Australian Composition for Wind Band: A Coming of Age

Unique Wind Band Works That Encourage Collaboration, Imagination, and Artistic Risk-Taking.

A new perspective on the development of wind band culture in Southern China and Southeast Asia: The role of the Chinese community in the rise of wind band culture during the pre-war period.

Diversity, inclusion and equity of the wind band movement in Thailand, Malaysia and Singapore. A panel discussion on how to strengthen the relationship between the three Southeast Asia countries wind related ensemble, and what’s the difficulties we facing.

The Seven C's: Conductors, Composers, Commissions, Consortiums, and the Culmination of the Creatively, Collaborative Process.

Cultivating Deeper Musicianship through Improvisation in Concert Ensembles

The Frederick Fennell Tapes: Learning from the Master and the Kosei Wind Orchestra, 1989

Beyond the Score: Using National Identity to Enhance Your Programming